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ten years ago, the landlord of the Bell, Horndon-on-the-Hill,
hung a garland outside his Inn to commemorate its
four hundredth anniversary as licensed premises.
This simple ceremony carried us back through the
centuries to the time before the first licensing
act was passed in the reign of Edward VI. In
those days if you felt like selling ale, all you
had to do was to display a bush out side your
house. The custom was an ancient one dating back
to the Romans, who employed the method to
distinguish their tabernae. A well
known proverb fossilizes the practice. The inn-sign proper evolved
gradually and, one might say, accidentally. When
the burden of dispensing hospitality became too
great for the religious establishments, the
overflow of pilgrims and the tradesmen, whose
numbers increased so rapidly in the 14th century,
had to look elsewhere for accommodation. This was
provided by extra hostels built by the religious
bodies, and also by various members of the
aristocracy, from the King downwards, who, ever-ready
to acquire new sources of income, permitted their
bailiffs to use their mansions to cater for the
travellers. Not unnaturally, these hostels became
known by some distinctive charge of the owner's
arms - a white lion, a blue boar, etc. - which
were usually displayed above the gates, and the
religious hostels by some biblical symbol, such
as an Angel or Crosskeys.
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The
habit spread and soon hostels, whether they
belonged to King, Lord, Monastery or not,
displayed some easily recognizable sign. Indeed,
so complicated and unsystematic did the practice
become that, at this distance it is extremely
difficult to determine the origin of some of the
signs. For instance, a Crown Inn might have had
royal connections or merely have been built on
Crown land. Again, a display of arms on an inn
might indicate that the premises were formerly
"my lords'", or merely that the
landlord adopted the sign in a burst of local
patriotism. It so
happens that in our Thameside area the highest
symbol in the land is borne by the most elevated
inn - in the physical sense, of course. The Crown,
Langdon Hill, stands near the spot where once
stood Arthur Young when he gave vent to that
remarkable outburst regarding the view *. The actual sign is unique for the
district, being a gilded crown standing in relief
on the facade of the building. Crowns and other
symbols of Royalty have always been popular as
inn-signs. After the Restoration, more than one
wit observed that although the Kings Head
might be empty, the King's Arms were always full!
Grays, Stanford-le-Hope and Tilbury have their
King's Heads and there is a Queen's in Grays,
although we are not sure what part of her anatomy
is suggested. The Royal Hotel in Purfleet,
started life in humbler circumstances. When the
great chalk quarries in the neighbourhood were
being worked and the customers were the workmen,
it was simply the Bricklayers' Arms, but when the
London actors, actresses, politicians and others
discovered it and made it a weekend rendezvous,
then the more dignified title was assumed. The
older name illustrates another feature of inn-signs.
Landlords bestowed arms on all and sundry,
whether or not they were entitled to bear them.
What the College of Heralds thought of this
practice is unrecorded.
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